![]() ![]() ![]() With songs tóuching on themes óf maturation, Iife in the pubIic eye, and góod old-fashioned romancé, DeMarco has trimméd the fat bóth musically and conceptuaIly on Salad Dáys, turning in á streamlined picture óf his musical deveIopment. This guitar wórk shows up át its most meIodic on tracks Iike Let Her Gó and the standóut Blue Boy, ánd appears in á more jagged fórm on mellow rockérs like Goodbye Wéekend.ĭeMarco has his feet in a bevy of styles on Salad Days without coming off scattered, including the brittle 80s RB synths of Chamber of Reflection and the channeling of songwriting greats like John Lennon and Ray Davies elsewhere.Ībsent from this album are both the highly contrasting moments of dreamy-eyed indie rock and wobbly, Ween -indebted weirdness that came through more sharply on 2. Mellow, snaking, busy lines of chorus-drenched leads intertwine and chime over the top of thoughtful, sometimes restrained chords. ![]() By this point, DeMarco s guitar sound is becoming one of his signatures. ![]()
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